Reading Colonialism in “Parasite”

This is not a charge against any attempt to relate Parasite to other contexts. Bong’s social critique concerns the international conditions of globalized capitalism, but particular to Korea’s neoliberal and neocolonial present. Examining the film as a story of class in the neocolony shifts it from a decontextualized tale of rich and poor to one of compradors and the colonized. This lens takes Parasite from an allegory of “class conflict” to one of imperialism, and illuminates the film’s recurring motifs of English, militarization and appropriated Indigenous material culture.

Ju-Hyun Park's scene by scene breakdown of the explicit role American colonialism plays in Parasite's tale of inequality…

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