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❱❱ Is a reliance on private property the best way to structure society?

How to Make this Moment the Turning Point for Real Change

On the other hand, the small minority of folks who’ve resorted to violence in various forms, whether out of genuine anger or mere opportunism, are putting innocent people at risk, compounding the destruction of neighborhoods that are often already short on services and investment and detracting from the larger cause. I saw an elderly black woman being interviewed today in tears because the only grocery store in her neighborhood had been trashed. If history is any guide, that store may take years to come back. So let’s not excuse violence, or rationalize it, or participate in it. If we want our criminal justice system, and American society at large, to operate on a higher ethical code, then we have to model that code ourselves.

Barack Obama on Medium

In Defense of Looting

The mystifying ideological claim that looting is violent and non-political is one that has been carefully produced by the ruling class because it is precisely the violent maintenance of property which is both the basis and end of their power. Looting is extremely dangerous to the rich (and most white people) because it reveals, with an immediacy that has to be moralized away, that the idea of private property is just that: an idea, a tenuous and contingent structure of consent, backed up by the lethal force of the state. When rioters take territory and loot, they are revealing precisely how, in a space without cops, property relations can be destroyed and things can be had for free.

Vicky Osterweil in The Nation

❱❱ The Pioneers Of Post-Truth: Rashomon, 70 Years On

As the film moves beyond the framing device into the trial itself, the sequence of events is explained, in turn, by the notorious bandit Tajōmaru, the samurai's wife, and the deceased samurai (as channelled by a croaky court-appointed medium). It's confirmed early on by Tajōmaru himself that he killed the samurai and raped the samurai's wife, but each person's rendition hinges on wildly differing interpersonal dynamics and tone. Less an inquisition into murder or sexual assault than a bureaucratic facade, each retelling is a performance built on appeals to existing prejudices.

Blaise Radley for The Quietus…